in association with
Performance Studies, Art History and Theory, English,
Philosophy
University of Sydney
Present
MOSAIC
Film, Performance, Kinetic Art
a conference in visual and dramatic aesthetics
University of Sydney
Rex Cramphorn Studio
June 8-9, 2000
WEDNESDAY, JUNE 7
9:00-10:00 AM
REGISTRATION/MORNING TEA
SESSION 1: FILM
10:00
Gordon Slethaug
Department of English
University of Hong Kong
"The Lone Ranger and Tonto Fistfight in Heaven,
Smoke Signals, and Native-American Cinema"
Chair: Rick Benitez (Philosophy, Sydney)
11:00
Arturo Oujo Castelo/Maria Teresa Machado
Department of Architecture
Universidad Politecnica de Cataluña, Barcelona
"Ideas e Imagenes de los no-lugares Una mirada a lo inmaterial
y lo material de la Arquitectura en el Cine"
Chair: Michael Hill (Architecture, Sydney)
12:00
Deborah Walker
Department of French Studies
University of Auckland
"The Play's the Thing : The Role of Theatre in
the Films of Alain Resnais"
Chair: Paul Patton (Philosophy, Sydney)
1:00-2:00
LUNCH
UNIVERSITY STAFF CLUB
SESSION 2: PHILOSOPHY AND PERFORMANCE
2:15
John Nigem
University of Sydney
"Performing Anagnoresis"
Chair: Professor Kevin Lee (Classics, Sydney)
3:15
Edward Spence
School of Communications
Charles Sturt University
"Philosophy Plays"
Chair: Jean Barrett (Sydney Art Theatre)
4:15
Bogdan Koca
Artistic Director
Sydney Art Theatre
"Theatre is the bridge between a high philosophical way of thinking
and everyday life"
Chair: Rick Benitez (Philosophy, Sydney)
5:15
RECEPTION
University Staff Club BAR
THURSDAY, JUNE 8
9:00-10:00
MORNING TEA
SESSION 3: PERFORMANCE THEORY
10:00
Gay McAuley
Centre for Performance Studies
University of Sydney
"Theatre, film, performance: the role of the
spectator"
Chair: Ian Maxwell (Performance Studies, Sydney)
11:00
Jennifer McMahon
Department of Education
University of Canberra
"A Philosophy of Performance for the Contemporary Visual Arts"
Chair: David Braddon-Mitchell (Philosophy, Sydney)
12:00
Timothy O'Leary
Philosophy Program
Wollongong University
"Language, Culture and the Possibility of Post-Colonialism:
Brian Friel's Translations."
Chair: Moira Gatens (Philosophy, Sydney)
1:00-2:00
LUNCH
UNIVERSITY STAFF CLUB
SESSION 4: HISTORY OF PERFORMANCE--THEATRE
2:15
Harold Tarrant
Department of Classics
University of Newcastle
"Can a blind man fall in love? Problems with Greek and Roman comedy's
notion of sexual attraction"
Chair: Frances Muecke (Classics, Sydney)
3:15
Vrasidas Karalis
Department of Modern Greek
University of Sydney
"Against the Theatre: Byzantine Attitudes to Performance"
Chair: Carole Cusack (Studies in Religion, Sydney)
4:15
Tim Fitzpatrick
Centre for Performance Studies
University of Sydney
"The Art of Elizabethan Theatre Historiography"
Chair: Adrian Heathcote (Philosophy, Sydney)
5.15
DRINKS
UNIVERSITY STAFF CLUB BAR
CONFERENCE DINNER
STEKI TAVERNA, NEWTOWN
7.30
9:00-10:00
MORNING TEA
SESSION 5: HISTORY OF PERFORMANCE--MUSIC
10:00
Rex Eakins
Department of Music
University of New England
"Variation in the Written Transmission of Polyphony from the 15th Century:
Performance Implications - The Case of a Mass by Cornelius Heyns."
Chair: Professor Roger Woodward AC (Music, UNE)
11:00
Olga Katchan
Department of Psychology
University of Sydney
"Gustav Mahler and Sigmund Freud on the royal road to the unconscious"
Chair: Goetz Richter (SSO/SCM/Philosophy, Sydney)
12:00
Richard Toop
Sydney Conservatorium
"Writing Music's Boundaries?"
Chair: Catherine Runcie
1:00-2:00
LUNCH
UNIVERSITY STAFF CLUB
SESSION 6 KINETIC ART
2:15
Patricia Rovik
University of Sydney
"Directionality in Indigenous Australian Myth, Art and Dance"
Chair: Graham Pont
3:15
Rebecca Peabody
Department of Art History
UC Santa Barbara/UNSW
"A Kinesthetic Aesthetic: Sense, Art and Liminal Experience"
Chair: Mick Carter (Art History, Sydney)
4.15
Carolyn Griffiths
Creative Arts
Edith Cowan University/WAAPA
"Tracing Image and Bodily Displacement in
Early Modernist Dance Performance"
Chair: Lloyd Reinhardt (Philosophy, Sydney)
5:15
RECEPTION/CLOSE
UNIVERSITY STAFF CLUB BAR