|
Aesthetic Realism |
Lloyd Reinhardt |
I:28 |
|
Aesthetic Self-Regard and Artful Self-Delusions:
Some |
|
|
|
Political Implications of John Barth's Aesthetics |
Chris Conti |
XI:75 |
|
Aesthetics and Art Education |
Jacques
Delaruelle |
IV:109 |
|
Aesthetics Beyond Aesthetics: |
|
|
|
Towards a New Form of the Discipline |
Wolfgang
Welsch |
VII:7 |
|
Aesthetics, Culture and Education |
Maria Shevtsova |
V:130 |
|
Aesthetics of a tabula rasa, The: |
|
|
|
Western Art Music's Avant-garde from 1949-1953 |
Richard
Toop |
VI:61 |
|
Aesthetics of Acting in the Restoration,
The |
Robynne
Curnow |
III:7 |
|
Aesthetics of the Marketplace, The:
|
|
|
|
Women Playwrights, 1770-1850 |
Katherine
Newey |
VI:43 |
|
Andrew Lang and the Making of Myth |
Eric J.
Sharpe |
IV:34 |
|
Art and Culture Today |
Francis
Sparshott |
IV:44 |
|
Arts and Scientism: a Comment on 'Wittgenstein |
|
|
|
and Aesthetics', The |
Stephen
Gaukroger |
IV:117 |
|
Australian Multicultural Literature: |
|
|
|
Dynamics and Dilemmas of the Self |
Sonia Mycak |
XII:79 |
|
Authors, 'Deconstruction', and the
Disappearing |
|
|
|
Wordsworth of Marjorie Levinson |
Warwick
Orr |
V:61 |
|
Bach and Numerology: 'dry mathematical
stuff'? |
David Rumsey |
VII:143 |
|
Bach and Numerology: 'valid mathematical
stuff'? |
H. M. Gastineau-Hills |
VII:166 |
|
Barnett Newman: The ÔZipÕ
and Specious Presents, |
|
|
|
or (Specious?) Presence. What Am I Doing
Here? |
Patrick
Hutchings |
XIII:71 |
|
Bearing Witness Fiction: The Suppression
and |
|
|
|
Evolution of Second Generation Israeli |
|
|
|
Holocaust Fiction |
Dvir Abramovich |
XI:99 |
|
Benjamin, Proust, and the Rejuvenating |
|
|
|
Powers of Memory |
Tara Forrest |
XII:47 |
|
BrowningÕs Versions:
Robert Browning, |
|
|
|
Greek Tragedy and theVictorian Translation Debate |
Kathleen
Riley |
XIII:51 |
|
Characterisation and Interpretation: |
|
|
|
The Importance of Drama in Plato's Sophist |
Eugenio
Benitez |
VI:27 |
|
Croce and Collingwood on 'Primitive'
and |
|
|
|
'Classical' Aesthetics |
Garry W.
Trompf |
VII:125 |
|
Damozels: Blessed and Earth-Bound |
Kristof
Mikes-Liu |
II:97 |
|
'Do you understand what you are reading?' |
Eric J.Sharpe |
I:3 |
|
Eagleton on Aesthetics and Ideology |
David Brooks |
V:7 |
|
Ethics and Aesthetics in Aristotle's
Poetics |
Paul Crittenden |
I:15 |
|
Ethics and Literary Criticism: Hillis
Miller, Sartre |
|
|
|
and Jauss |
Peter Poiana |
V:46 |
|
Facials: the Aesthetics of Cosmetics
and Makeup |
Michael
Carter |
VIII:97 |
|
Fat, Felt and Fascism: the Case of
Joseph Beuys |
Timothy
O'Leary |
VI:91 |
|
Flowers as 'free beauties of nature' |
Patrick
Hutchings |
IV:17 |
|
From Auster to Wang: Postmodern Indeterminacy, |
|
|
|
'auggie wren's christmas story', and SMOKE |
Gordon Slethaug |
X:127 |
|
Gender: Myths, Methods and Marginalisation |
Heather
Johnson |
III:55 |
|
George Eliot, George Henry Lewes,
and the |
|
|
|
Logic of Signs |
Rosalind
De Sailly |
VII:115 |
|
God Speed the Plough |
Andrew McRae |
VIII:133 |
|
Has the Ontology of Music Rested on
a Mistake? |
Stefano
Predelli |
XII:7 |
|
Hegel and the End of Art |
Gyorgy Markus |
VI:7 |
|
Henry James's Jane Campion: |
|
|
|
Portraits of Connoisseurs |
Catherine
Runcie |
X:7 |
|
Intention and Representation: |
|
|
|
Searle's 'Internal' Thesis |
R. A. Goodrich |
II:53 |
|
Jeremy Bentham's Panopticon as Metaphor: |
|
|
|
Science and Supervision in Tobias Smollett |
|
|
|
and Gilbert White |
Rachel Chalmers |
IV:71 |
|
John Cage Defended against his Appropriators |
Richard
Toop |
III:96 |
|
Linguistic and Personal Meaning of
Metaphorical |
|
|
|
Speech, The |
Gerald P.
Gleeson |
I:60 |
|
Literary Theory and Intellectual Kitsch |
Denis Dutton |
II:23 |
|
Literature, Morality and the Individual
in the |
|
|
|
Shadows of Postmodernism |
Christopher
Cordner |
VIII:60 |
|
Love, Death and the Photographic Image: |
|
|
|
James Ellroy's dark places through Roland Barthes' |
|
|
|
Camera Lucida |
Katrina
Beal |
X:75 |
|
Love Stories: A Reading of Romeo
and Juliet |
Tzachi Zamir |
IX:71 |
|
Mature Love: A Reading of Antony
and Cleopatra |
Tzachi Zamir |
XI:119 |
|
Music and Change: Some Considerations
of the |
|
|
|
Sonata quasi una Fantasia in C sharp minor |
|
|
|
Op.27 no.2 ('Moonlight'). |
Roger Woodward |
XIII:7 |
|
Mozart / Mokitsch |
Richard
Toop |
II:7 |
|
Narrative Identity |
Peter Poiana |
IX:99 |
|
Negative Dialectic in Othello |
Jean-Philippe
Deranty |
IX:53 |
|
'Nineteen Hundred and Now': |
|
|
|
Historicising I. A. Richards |
David Brooks |
XII:107 |
|
Nuancing the Pure: The Marks of Rothko |
Morgan Thomas |
IX:31 |
|
On Aesthetics: A Review and Some Revisions |
Richard
Wollheim |
XI:7 |
|
On Metonymy and Symbol:
Seamus Heaney |
|
|
|
and W.B. Yeats |
Catherine
Runcie |
XIII:7 |
|
On Nelson Goodman's Assimilation of
Literary |
|
|
|
and Scientific Knowledge |
Keith Campbell |
IV:7 |
|
On Nietzsche and Modern Chinese Literature |
|
|
|
from Lu Xun to Gao Xingjian |
Mabel Lee |
XII:23 |
|
On Poetic Function: Jakobson's Revised
'Prague' Thesis |
R. A. Goodrich |
VII:54 |
|
Opening Remarks to the Sydney Society
of Literature |
|
|
|
and Aesthetics First Colloquium |
C. A. Runcie |
I:1 |
|
Paradox of Pain: The Poetry of Paul
Celan and |
|
|
|
So Sakon, The |
Leith Morton |
I:82 |
|
Patrolling the Borders |
Lloyd Reinhardt |
V:123 |
|
Philosophy and Metaphor: The PhilosopherÕs Ambivalence |
Paul Crittenden |
XIII:27 |
|
Physiognomy, Judgment and Art in Mary
Brunton's |
|
|
|
Self-Control |
Jennifer
Evans |
VII:67 |
|
Platonic Theory of Ethos in Fifteenth-Century |
|
|
|
Italian Court Dance, The |
Jennifer
Nevile |
III:42 |
|
Playing with Transgressive Light:
Serrano's |
|
|
|
'Piss Christ' |
Naomi Cumming |
VIII:45 |
|
Plays from Pictures: the Aesthetics
of the |
|
|
|
Nineteenth-Century Stage |
Katherine
Newey |
III:23 |
|
Problems in Edgar Degas, The: Images
of |
|
|
|
Women and Modernity |
Lillesol
Kane |
IX:147 |
|
Psychoanalysis and
Tongan poetry:Reflection |
|
|
|
on Ôthe song of flowersÕ |
'Okusitino
Mahina |
XIII:97 |
|
Psycho-analytical Study of Dependence,
A: |
|
|
|
Tanazaki Jun'ichiro's 'The Story of My |
|
|
|
Unfortunate Mother' |
Keiko Fukui |
VII:85 |
|
Question of Aesthetics in George Eliot's |
|
|
|
Middlemarch |
Mark Byron |
XII:65 |
|
Question of Music, The: Reflections
on Roger Scruton's |
|
|
|
The Aesthetics of Music |
Goetz Richter |
X:149 |
|
Readymades of Marcel Duchamp: Cut
Flowers |
|
|
|
or les fleurs du mal? |
Patrick
Hutchings |
X:31 |
|
Reflections on Art, Culture and Universalism |
Eugene Kamenka |
III:67 |
|
Reflections on Boredom and the Sublime |
Patrick
Hutchings |
V:104 |
|
Reflections on the Lipogram |
Suzanne
Kiernan |
VII:43 |
|
Reply to H. M. Gastineau-Hills |
David Rumsey |
VII:173 |
|
Representation in Literature |
James O.
Young |
IX:127 |
|
Resnais/Derrida: Reconstructing the
Subject |
Deborah
Walker |
X:53 |
|
Scientific Life Stories |
Michael
Shortland and Lisa Lentini |
IV:91 |
|
Self-Surpassing Beauty: Plato's Ambiguous
Legacy |
Paul Redding |
VII:94 |
|
Seneca as Stoic |
Mairead
Costigan |
X:105 |
|
Singular Universal in Jean-Paul Sartre,
The |
Paul Crittenden |
VIII:29 |
|
Singularity and the Sublime in Australian |
|
|
|
Landscape Representation |
Mary Mackay |
VIII:113 |
|
So How Many Children Did Lady Macbeth Have? |
|
|
|
Syntagmatic Theory and the Construal of |
|
|
|
Fictional Worlds |
Richard
Harland |
V:86 |
|
Spectatorship, Sympathy and the Self |
Paul Redding |
II:82 |
|
Surfaces and Depths: Reflection and
Cognition in the |
|
|
|
Poems of Wallace Stevens and Elizabeth Bishop |
Peter Williams |
VII:25 |
|
Survival of the Author, The |
Heather
Johnson |
VI:79 |
|
Time to Read and the Patience to See,
The |
Jacques
Delaruelle |
VI:109 |
|
Their Fathers' House: Forster, Woolf,
and the |
|
|
|
Aesthetics of Patriotism |
Penelope
Pether |
II:35 |
|
Towards a Unified Theory of Beauty |
Jennifer
McMahon |
IX:7 |
|
'Towards ornamenting or teaching the
istoria':
|
|
|
|
Sir Joshua Reynolds and Narrative Portraiture |
Keryl Kavanagh |
V:22 |
|
Towards the Work of Art in the Age
of Digital |
|
|
|
Simulation: Walter Benjamin Revisited |
Geir Sigurdsson |
XI:51 |
|
Value-Judgements and Literature |
David Brooks |
I:39 |
|
Value of Reading Fiction, The |
Gerald P.
Gleeson |
II:67 |
|
Walter Pater's Poetics of Enactment |
C. A. Runcie |
III:83 |
|
What Happened to Aesthetics? |
Paul Redding |
IX:169 |
|
Wittgenstein and Aesthetics |
Lloyd Reinhardt |
III:108 |
|
World Philosophy, World Art Studies, |
|
|
|
World Aesthetics |
Wilfred
van Damme |
IX:181 |
|
'would it were not so': Hypothetical
Alternatives |
|
|
|
in Hamlet |
Eric Levy |
XI:33 |
|
Writers and Self-consciousness: Book
Publishing |
|
|
|
in Early Sixteenth Century Italy |
Anne Reynolds |
IV:79 |
|
Writing In Justice: Plato's Republic
and Gray's |
|
|
|
'Five Letters from an Eastern Empire' |
Joanna Kerr |
VIII:83 |
|
|
TOP |
|
|
|
|
Abramovich,
Dvir, Bearing Witness
Fiction: The Suppression and |
|
|
Evolution of Second Generation Israeli Holocaust Fiction |
XI:99 |
|
Beal, Katrina,
Love, Death and
the Photographic Image: |
|
|
James Ellroy's dark places through Roland Barthes' Camera Lucida |
X:75 |
|
Benitez,
Eugenio, Characterisation
and Interpretation: |
|
|
The Importance of Drama in Plato's Sophist |
VI:27 |
|
Brooks,
David, Eagleton on Aesthetics
and Ideology |
V:7 |
|
-------- Value-Judgements and Literature |
I:39 |
|
-------- 'Nineteen Hundred and Now':
Historicising I. A. Richards |
XII:107 |
|
Byron, Mark,
The Question of
Aesthetics in George Eliot's |
|
|
Middlemarch |
XII:65 |
|
Campbell,
Keith, On Nelson Goodman's
Assimilation of Literary and |
|
|
Scientific Knowledge |
IV:7 |
|
Carter,
Michael, Facials: the
Aesthetics of Cosmetics and Makeup |
VIII:97 |
|
Chalmers,
Rachel, Jeremy Bentham's
Panopticon as Metaphor: |
|
|
Science and Supervision in Tobias Smollett and Gilbert White |
IV:71 |
|
Conti, Chris,
Aesthetic Self-Regard
and Artful Self-Delusions: |
|
|
Some Political Implications of John Barth's Aesthetics |
XI:75 |
|
Cordner,
Christopher, Literature,
Morality and the Individual |
|
|
in the Shadows of Postmodernism |
VIII:60 |
|
Costigan,
Mairead, Seneca as Stoic |
X:105 |
|
Crittenden,
Paul, Ethics and Aesthetics
in Aristotle's Poetics |
I:15 |
|
-------- The Singular Universal in
Jean-Paul Sartre |
VIII:29 |
|
Crittenden,
Paul Philosophy
and Metaphor: |
|
|
-------- The PhilosopherÕs
Ambivalence |
XIII:
27 |
|
Cumming,
Naomi, Playing with Transgressive
Light: Serrano's |
|
|
'Piss Christ' |
VIII:45 |
|
Curnow,
Robynne, The Aesthetics
of Acting in the Restoration |
III:7 |
|
De Sailly,
Rosalind, George Eliot,
George Henry Lewes, and the |
|
|
Logic of Signs |
VII:115 |
|
Delaruelle,
Jacques, Aesthetics and
Art Education |
IV:109 |
|
-------- The Time to Read and the
Patience to See |
VI:109 |
|
Deranty,
Jean-Philippe, Negative
Dialectic in Othello |
IX:53 |
|
Dutton,
Denis, Literary Theory
and Intellectual Kitsch |
II:23 |
|
Evans, Jennifer,
Physiognomy, Judgment
and Art in Mary Brunton's |
|
|
Self-Control |
VII:67 |
|
Forrest,
Tara, Benjamin, Proust,
and the Rejuvenating |
|
|
Powers of Memory |
XII:47 |
|
Fukui, Keiko,
A Psycho-analytical
Study of Dependence: Tanazaki |
|
|
Jun'ichiro's 'The Story of My Unfortunate Mother' |
VII:85 |
|
Gastineau-Hills,
H. M., Bach and Numerology: |
|
|
'valid mathematical stuff'? |
VII:166 |
|
Gaukroger,
Stephen, The Arts and
Scientism: a Comment on |
|
|
'Wittgenstein and Aesthetics' |
IV:117 |
|
Gleeson,
Gerald P., The Linguistic
and Personal Meaning of |
|
|
Metaphorical Speech |
I:60 |
|
-------- The Value of Reading Fiction |
II:67 |
|
Goodrich,
R. A., Intention and Representation:
Searle's 'Internal Thesis' |
II:53 |
|
-------- On Poetic Function: Jakobson's
Revised 'Prague' Thesis |
VII:54 |
|
Harland,
Richard, So How Many Children
Did Lady
Macbeth Have? |
|
|
Syntagmatic Theory and the Construal of Fictional Worlds |
V:86 |
|
Hutchings,
Patrick, Flowers as 'free
beauties of nature' |
IV:17 |
|
-------- Reflections on Boredom and
the Sublime |
V:104 |
|
-------- The Readymades of Marcel
Duchamp: Cut Flowers or |
|
|
les fleurs du mal? |
X:31 |
|
Hutchings,
Patrick
Barnett Newman: The ÔZipÕ and Specious |
|
|
-------Presents, or
(Specious?) Presence. What Am I Doing Here? |
XIII: 71 |
|
Johnson,
Heather, Gender: Myths,
Methods and Marginalisation |
III:55 |
|
-------- The Survival of the Author |
VI:79 |
|
Kamenka,
Eugene, Reflections on
Art, Culture and Universalism |
III:67 |
|
Kane, Lillesol,
The Problems in
Edgar Degas: Images of |
|
|
Women and Modernity |
IX:147 |
|
Kavanagh,
Keryl, 'Towards ornamenting
or teaching the istoria': |
|
|
Sir Joshua Reynolds and Narrative Portraiture |
V:22 |
|
Kerr, Joanna,
Writing In Justice:
Plato's Republic and Gray's |
|
|
'Five Letters from an Eastern Empire' |
VIII:83 |
|
Kiernan,
Suzanne, Reflections on
the Lipogram |
VII:43 |
|
Lee, Mabel,
On Nietzsche and
Modern Chinese Literature from |
|
|
Lu Xun to Gao Xingjian |
XII:23 |
|
Lentini,
Lisa and Shortland, Michael, Scientific
Life Stories |
IV:91 |
|
Levy, Eric,
'would it were not
so': Hypothetical Alternatives |
|
|
in Hamlet |
XI:33 |
|
Mackay,
Mary, Singularity and
the Sublime in Australian |
|
|
Landscape Representation |
VIII:113 |
|
Mahina,
'Okusitino Psychoanalysis and Tongan poetry: |
|
|
------- Reflection
on Ôthe song of flowersÕ |
XIII: 97 |
|
Markus,
Gyorgy, Hegel and the
End of Art |
VI:7 |
|
McMahon,
Jennifer, Towards a Unified
Theory of Beauty |
IX:7 |
|
McRae, Andrew,
God Speed the Plough |
VIII:133 |
|
Mikes-Liu,
Kristof, Damozels: Blessed
and Earth-Bound |
II:97 |
|
Morton,
Leith, The Paradox of
Pain: The Poetry of Paul Celan and |
|
|
So Sakon |
I:82 |
|
Mycak, Sonia,
Australian Multicultural
Literature: |
|
|
Dynamics and Dilemmas of the Self |
XII:79 |
|
Nevile,
Jennifer, The Platonic
Theory of Ethos in Fifteenth-Century |
|
|
Italian Court Dance |
III:42 |
|
Newey, Katherine,
Plays from Pictures:
the Aesthetics of the |
|
|
Nineteenth-Century Stage |
III:23 |
|
-------- The Aesthetics of the Marketplace: |
|
|
Women Playwrights, 1770-1850 |
VI:43 |
|
O'Leary,
Timothy, Fat, Felt and
Fascism: the Case of Joseph Beuys |
VI:91 |
|
Orr, Warwick,
Authors, 'Deconstruction',
and the Disappearing |
|
|
Wordsworth of Marjorie Levinson |
V:61 |
|
Pether,
Penelope, Their Fathers'
House: Forster, Woolf and the |
|
|
Aesthetics of Patriotism |
II:35 |
|
Poiana,
Peter, Ethics and Literary
Criticism: Hillis Miller, Sartre |
|
|
and Jauss |
V:46 |
|
-------- Narrative Identity |
IX:99 |
|
Predelli,
Stefano, Has the Ontology
of Music Rested on a Mistake? |
XII:7 |
|
Redding,
Paul, Spectatorship, Sympathy
and the Self |
II:82 |
|
-------- Self-Surpassing Beauty: Plato's
Ambiguous Legacy |
VII:94 |
|
-------- What Happened to Aesthetics? |
IX:169 |
|
Reinhardt,
Lloyd, Aesthetic Realism |
I:28 |
|
-------- Patrolling the Borders |
V:123 |
|
--------Wittgenstein and Aesthetics |
III:108 |
|
Reynolds,
Anne, Writers and Self-Consciousness:
Book Publishing |
|
|
in Early Sixteenth Century Italy |
IV:79 |
|
Richter,
Goetz, The Question of
Music: Reflections on Roger Scruton's |
|
|
The Aesthetics of Music |
X:149 |
|
Riley, Kathleen
BrowningÕs
Versions: Robert Browning, |
|
|
------- Greek Tragedy
and theVictorian Translation Debate |
XIII: 51 |
|
Rumsey,
David, Bach and Numerology:
'dry mathematical stuff'? |
VII:143 |
|
-------- Reply to H. M. Gastineau-Hills |
VII:173 |
|
Runcie,
C. A., Opening Remarks
to the Sydney Society of Literature |
|
|
and Aesthetics First Colloquium |
I:1 |
|
-------- Walter Pater's Poetics of
Enactment |
III:83 |
|
-------- Henry James's Jane Campion:
Portraits of Connoisseurs |
X:7 |
|
Runcie,
Catherine On Metonymy and Symbol: |
|
|
------- Seamus Heaney
and W.B. Yeats |
XIII: 7 |
|
Sharpe,
Eric J., 'Do you understand
what you are reading?' |
I:3 |
|
-------- Andrew Lang and the Making
of Myth |
IV:34 |
|
Shevtsova,
Maria, Aesthetics, Culture
and Education |
V:130 |
|
Shortland,
Michael and Lentini, Lisa, Scientific Life
Stories |
IV:91 |
|
Sigurdsson,
Geir, Towards the Work
of Art in the Age of |
|
|
Digital Simulation: Walter Benjamin Revisited |
XI:51 |
|
Slethaug,
Gordon, From Auster to
Wang: Postmodern Indeterminacy, |
|
|
'auggie wren's christmas story', and SMOKE |
X:127 |
|
Sparshott,
Francis, Art and Culture
Today |
IV:44 |
|
Thomas,
Morgan, Nuancing the Pure:
The Marks of Rothko |
IX:31 |
|
Toop, Richard,
John Cage Defended
against his Appropriators |
III:96 |
|
-------- Mozart / Mokitsch |
II:7 |
|
-------- The Aesthetics of a tabula
rasa: |
|
|
Western Art Music's Avant-garde from 1949-1953 |
VI:61 |
|
Trompf,
Garry W., Croce and Collingwood
on 'Primitive' and |
|
|
'Classical' Aesthetics |
VII:125 |
|
van Damme,
Wilfred, World Philosophy,
World Art Studies, |
|
|
World Aesthetics |
IX:181 |
|
Walker,
Deborah, Resnais/Derrida:
Reconstructing the Subject |
X:53 |
|
Welsch,
Wolfgang, Aesthetics Beyond
Aesthetics: |
|
|
Towards a New Form of the Discipline |
VII:7 |
|
Williams,
Peter, Surfaces and Depths:
Reflection and Cognition |
|
|
in the Poems of Wallace Stevens and Elizabeth Bishop |
VII:25 |
|
Wollheim,
Richard, On Aesthetics:
A Review and Some Revisions |
XI:7 |
|
Woodward,
Roger, Music and Change:
Some Considerations of the |
|
|
Sonata quasi una Fantasia in C sharp minor Op.27 no.2 ('Moonlight') |
VIII:7 |
|
Young, James
O., Representation in
Literature |
IX:127 |
|
Zamir, Tzachi,
Love Stories: A
Reading of Romeo and Juliet |
IX:71 |
|
-------- Mature Love: A Reading of
Antony and Cleopatra |
XI:119 |
|
|
|
|
|
TOP |
|
|
|
|
Badcock,
Sarah Louise, Clouds |
IX:30 |
|
Beveridge,
Judith, Two Poems in the
Voice of Siddhattha |
|
|
Gotama as He Wanders the Forest, Saddhus |
XI:30-32 |
|
Christianse,
Yvette, I Have To Tell
You, Mamma |
IV:90 |
|
Christie,
Will, Parsifal |
II:51 |
|
-------- Pelican Auspex, Adam to Eve,
Ideas to Order |
V:58-60 |
|
Emery, Brook,
Five Picasso Heads |
VIII:128 |
|
Gray, Robert,
Gardenias, Damp
Evening |
XI:97-98 |
|
Heathcote,
Adrian, The Fancier |
VIII:78 |
|
-------- In Memoriam |
XII:75 |
|
Lawrence,
Anthony, Signatures, Watching
Dennis Potter Drink |
VII:141-2 |
|
Leys, David,
Three scenes in
a gallery |
IX:97 |
|
-------- Postnatalism |
XII:63 |
|
Lloyd, Peter,
Back of Wordsworth |
IX:48 |
|
McLaren,
Greg, Geological |
IX:145 |
|
Mitchell,
Adrian, St Peter's, Rome |
II:66 |
|
-------- St James's Station, Postcards
from Cambridge, Mid-Life Crisis |
IV:69-70 |
|
-------- Sandcastles |
IX:93 |
|
Morton,
Leith, The Confessions
of a Con-Artist |
I:14 |
|
-------- 'cracking nuts' |
I:38 |
|
-------- A Kind of Transition, The
Broken Sky |
VI:41-42 |
|
Murphy,
J. K., Grandfather Clock |
IX:144 |
|
Musgrave,
David, The Dead |
X:104 |
|
-------- Clouds, Lake Titicaca; Laps,
Cook & Phillip Pool, |
|
|
Dream of a Carp |
XI:47-50 |
|
-------- Lagoon |
XII:20 |
|
-------- Skimming Stone, Malua Bay |
XII:105-6 |
|
Nijjem, John, Sea Bardoes. Polyptich,
Hamlet, 'ek', Mysterion |
XIII: 107 |
|
Orr, Janette,
The flesh wounds
on return, Oh air, that you would |
|
|
poison me too, I am the beast of the cavernous heart |
VIII:130-2 |
|
-------- Impaired, impaired in Darkness |
IX:28 |
|
-------- From the bather to the tomb |
IX:94 |
|
Pearshouse,
Richard, After the Monsoons |
VI:40 |
|
X:74 |
|
|
Richards,
Tom, Sistine Geometry
and the Tasman Sea |
III:80 |
|
Rijswijk,
Philomena van, The Hungry
Tongue |
X:147 |
|
Rowe, Noel,
Battle Mountain,
Peter's Mother-in-Law, Visiting the Zoo |
III:80-82 |
|
-------- And human hands have made,
Widow of Beijing |
IV:31-33 |
|
-------- Frangipani Thieves |
V:85 |
|
-------- Watermelon, the only word
I have, The Morning News |
VII:40-42 |
|
-------- Winter more than anyone knows |
X:72 |
|
Servomaa,
Sonja Drops
of Jade in the Mountains |
XIII:
89 |
|
Siemens,
Edward, Luncheon at Sharon's:
A Threnody for Three Voices |
IX:49 |
|
-------- Snakes and Adders |
XI:74 |
|
Silcock,
Ruth, The Vicar of Ninety |
XII:44 |
|
Smith, Vivian,
Summer of the Ladybirds,
1993 |
IV:68-69 |
|
Stephens,
Elizabeth, Undertow, Lovers'
Leap |
XI:117-18 |
|
Webster,
Gary, Genesis |
X:51 |
|
Zytnik,
Julian, Mr Symes Addresses
the Book Launch |
VIII:28 |
|
|
|
|
|
TOP |
|
|
|
|
Asabuki
Ryoji, 'Four Poems' (trans.
Leith Morton) |
I:96 |
|
Faiz Ahmed
Faiz, The Logician (trans.
Estelle Dryland) |
II:21 |
|
Kitahara
Hakashu, A Corner of the
Garden (trans. Leith Morton) |
II:22 |
|
Shiraishi
Kazuko, Chest Hair (trans.
Leith Morton) |
VI:108 |
|
Yang Lian,
Height of a Dream,
Dead Poet's City (trans. Mabel Lee) |
II:20 |
|
-------- Where the Sea Stands Still,
Transformation of Fossils, |
|
|
Fish (trans. Mabel Lee) |
IV:64-65 |
|
-------- The Eagle's Soliloquy (trans.
Naikan Tao and Tony Prince) |
VI:107 |
|
Yu Jian,
Afternoon A Colleague Walking Through the Shadows |
|
|
(trans. Naikan Tao and Tony Prince) |
VI:106 |
|
|
|
|
|
|
|
|
|
|
Benitez,
Eugenio, Aeschylus, Agamemnon
855-1398: |
|
|
The Arrival and Death of Agamemnon |
XII:125 |
|
|
|
|
|
|
|
|
|
|
Borrie,
Jan, Hannah |
VIII:93 |
|
Chambers,
Rachel, Fear and Lightning |
V:98 |
|
Heathcote,
Adrian, The Iconoclasts A One Act Play |
XI:149 |
|
Kiley, Dean,
I Don't Want to
Know |
IV:104 |
|
Kyriacos,
Nicholas, Gone Fishing |
VII:109 |
|
Loukakis,
Angelo, From Houdini's
Flight: A Novel in
Progress |
VI:54 |
|
Morrison,
Kim, Butterfingers |
VII:80 |
|
Zemach,
Eddy M., Mary's Cat |
IX:123 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Albion,
Douglas, Illustrations
from Marcus Clarke's The Term of |
|
|
His Natural Life (Untitled) |
I:27, 97-99 |
|
-------- Grevillea Punicea |
II:34 |
|
-------- Pictures for Poems: Ladybird,
Midlife, Where the Sea Stands |
|
|
Still, Transformation of Fossils |
IV:66-67 |
|
--------Statues |
V:103 |
|
Beck, Deborah,
Lion's Tail, Annandale |
VIII:43-44 |
|
Benitez-Stewart,
Sylvia, Lexicon for Elsie |
VIII:95 |
|
Braddon-Mitchell, David Morning, Cabbages |
XIII: 67 |
|
Campbell,
Stuart, Visual Grammar |
VI:107-8 |
|
Claremont,
Richard, Scrapyard #2 |
VIII:137 |
|
Corry, Stephen,
The Sleeper |
IX:122 |
|
Darmody,
Theresa, The Lake |
II:81 |
|
Everitt,
Rachael Underworld |
XIII: 43 |
|
Kaiser,
Ulf, A. D. Hope: Poet |
III:116 |
|
-------- Professor Eugene Kamenka,
Sept. 2, 1992: a sketch |
II:19 |
|
-------- Robyn Williams: a sketch |
IV:16 |
|
Kay, Hanna,
A Shadow, Over the
Edge, Impasse, Concave- Convex |
V:42-45 |
|
-------- Child's Play 12pm |
IX:29 |
|
Krausmann,
Annette, Pelican, Adam
and Eve, Mermaid |
V:58-60 |
|
Morrison,
K., Untitled Photographs |
IX:95-96 |
|
Nona, woman remembering to smile |
IX:70 |
|
Slarke,
Eileen, Dante Looks Up
Towards Italy |
II:96 |
|
-------- Centro Dantesco, Ravenna |
II:113 |
|
Varvaressos,
Vicki, Woman on Sofa |
III:66 |
|
-------- Woman |
III:107 |
|
-------- Linocut, Woodcut |
VII:175-6 |
|
|
|
|
|
|
|
Allen, Richard
and Turvey, Malcolm eds,Wittgenstein, |
|
|
Theory and the Arts (Lloyd Reinhardt) |
XIII:111 |
|
Baldwin,
Anna, and Hutton, Sarah, (eds), Platonism
and the English |
|
|
Imagination (Eugenio Benitez) |
V:143 |
|
Baker, William,
(ed.), The Letters
of George Henry Lewes |
|
|
(Margaret Harris) |
VIII:142 |
|
Baker, William
and Clarke, William M., (eds), The
Letters of |
|
|
Wilkie Collins (Peter Edwards) |
X:173 |
|
Bate, Jonathan, The Genius of Shakespeare
(Garry Trompf) |
XIII: 126 |
|
Beard, Mary, The Parthenon (Patricia Rovik)
|
XIII: 123 |
|
Bloom, Harold,
The Western Canon:
The Books and Schools of the Ages |
|
|
(Barry Spurr) |
VI:134 |
|
Bowie, Andrew,
From Romanticism
to Critical Theory: |
|
|
The Philosophy of German Literary Theory (William Christie) |
VIII:139 |
|
Brett, Lily,
Unintended Consequences (Noel Rowe) |
II:103 |
|
Brooke-Rose,
Christine, Stories,
theories and things (Will Christie) |
III:120 |
|
Brooks,
David G. (ed.), A.
D. Hope: Selected Poems (Leonie Kramer) |
III:117 |
|
-------- (ed.), Security of Allusion:
Essays In Honour of A. D. Hope |
|
|
(Leonie Kramer) |
III:117 |
|
Brueck,
Katherine T., The Redemption
of Tragedy: |
|
|
The Literary Vision of Simone Weil (Kevin Hart) |
VII:185 |
|
Buchbinder,
David, Contemporary
Literary Theory and the Reading |
|
|
of Poetry (David Brooks) |
II:106 |
|
Chatterjee,
Bankim Chandra, The
Poison Tree: Three Novella, |
|
|
trans. Maddern, Marion,
and Mukherjee, S. N.,
(Leith Morton) |
IX:207 |
|
Clark, Michael
P. (ed.),
Revenge of the Aesthetic: |
|
|
The Place of Literature in Theory Today (William Christie)
|
XIII: 118 |
|
Cooper,
David, E., Metaphor
(J. P. Roche) |
I:103 |
|
Danto, Arthur
C., After the End
of Art: Contempory Art |
|
|
and the Pale of History (Patrick Hutchings) |
XI:169 |
|
Davidson,
Lola Sharon, (et al.),
The Epic in History (Max Walkley) |
V:161 |
|
Dixon, Robert,
Writing the Colonial
Adventure: Race, gender and nation |
|
|
in Anglo-Australian popular fiction, 1875-1914 (Richard Waterhouse) |
VI:138 |
|
Docker,
John, Postmodernism
and Popular Culture (Helen Fulton) |
V:149 |
|
During,
Simon, (ed.), The Cultural
Studies Reader (G.
A. Wilkes) |
V:158 |
|
Eagleton,
Terry, The Ideology
of the Aesthetic (Will
Christie) |
I:100 |
|
Eco, Umberto,
Interpretation
and overinterpretation (Paul Patton) |
IV:128 |
|
Elvin, Mark,
Another History:
Essays on China from a European |
|
|
Perspective (Danny S. L. Paau) |
IX:200 |
|
Fisher,
Philip, Wonder, the
Rainbow, and the Aesthetics of |
|
|
Pure Experience (R. A. Goodrich) |
XI:175 |
|
Freadman,
Richard and Miller, Seumas, Re-Thinking
Theory: |
|
|
A Critique of Contemporary Literary Theory and an Alternative |
|
|
Account (R. L. P. Jackson) |
III:132 |
|
Freadman,
Richard and Reinhardt, Lloyd, (eds), On
Literary Theory |
|
|
and Philosophy: A Cross-Disciplinary Encounter (David Brooks) |
III:122 |
|
Frow, John,
Cultural Studies
and Cultural Value (G. A. Wilkes) |
V:158 |
|
Furley,
David J. and Nehamas, Alexander, (eds), Aristotle's
Rhetoric: |
|
|
Philosophical Essays (Eugenio Benitez) |
VI:141 |
|
Furniss,
Tom, Edmund Burke's
Aesthetic Ideology (Paul Redding) |
V:156 |
|
Gibbons,
Tom, Snowfire: Three
Centuries of Sonnets: 'Snowfire', |
|
|
'Searchlight' & 'Ashfall' (Patrick Hutchings) |
IX:212 |
|
Goldberg,
S. L., Agents and Lives
(David Brooks) |
V:15 |
|
Green, Gale,
Doris Lessing:
The Poetics of Change (Jennifer Moore) |
VII:199 |
|
Harland,
Richard, Literary Theory
from Plato to Barthes: An |
|
|
Introductory History (William Christie) |
XI:182 |
|
Harris,
Margaret, and Johnston, Judith, (eds), The
Journals of |
|
|
George Eliot (William Baker) |
IX:209 |
|
Harris,
Robert, JANE, Interlinear
& Other Poems
(Noel Rowe) |
II:103 |
|
Hart, Kevin,
A. D. Hope (Leonie Kramer) |
III:117 |
|
Holdcroft,
David, Saussure: Signs,
System, and Arbitrariness |
|
|
(Alan Rumsey) |
III:127 |
|
Jameson,
Fredric, The Seeds
of Time (Gyorgy Markus) |
VII:205 |
|
Johnstone,
Peggy Fitzhugh, The
Transformation of Rage |
|
|
(Margaret Harris) |
V:164 |
|
Julius,
Anthony, T. S. Eliot,
Anti-Semitism, and Literary Form |
|
|
(Barry Spurr) |
VIII:150 |
|
Karl, Frederick
R., George Eliot, Voice
of a Century: |
|
|
A Biography (June Skye Szirotny) |
VII:188 |
|
Kassler,
Jamie C., Metaphor:
A Musical Dimension (Rodney Berry) |
II:111 |
|
Kelly, Henry
Ansgar, Ideas and
Forms of Tragedy from Aristotle |
|
|
to the Middle Ages (Eugenio Benitez) |
IV:125 |
|
Kerr, Heather,
Eaden, Robin, and Mitton, Madge, (eds), |
|
|
Shakespeare: World Views (David Brooks) |
VIII:146 |
|
Kiernan,
Brian, Studies in Australian
Literary History (Vivian Smith) |
IX:193 |
|
Kinney,
Clare Regan, Strategies
of Poetic Narrative: Chaucer, |
|
|
Spenser, Milton, Eliot (Mary Chan) |
III:126 |
|
Krausz,
Michael, Rightness
and Reasons, Margolis, Joseph, |
|
|
Interpretation Radical But Not Unruly, Stecker,
Robert, |
|
|
'The constructivist's dilemma' (Paul Thom) |
VII:181 |
|
Lamarque,
Peter, and Olsen, Stein Haugom, Truth,
Fiction, and |
|
|
Literature (Keith Campbell) |
V:138 |
|
Lamarque,
Peter, and Olsen, Stein Haugom, A Comment
in Reply |
V:141 |
|
Lee, Mabel,
and Hua, Meng, (eds), Cultural
Dialogue and |
|
|
Misreading (Xiaoyi Zhou) |
IX:205 |
|
Levinson,
Jerrold, (ed.), Aesthetics
and Ethics: |
|
|
Essays at the Intersection (Eddy M. Zemach) |
XII:152 |
|
Lorand,
Ruth, Aesthetic Order: |
|
|
A Philosophy of Order, Beauty and Art (Eugenio Benitez) |
XII:148 |
|
Lustig,
T. J., Henry James
and the Ghostly (Jennifer
Gribble) |
VI:144 |
|
McRae, Andrew,
God speed the
plough: The representation of |
|
|
agrarian England 1500-1660 (Barry Spurr) |
VII:195 |
|
Mukherjee,
S. N., Citizen Historian:
Explorations in Histiography |
|
|
(G. B. Harrison) |
VIII:144 |
|
Redding,
Paul, Hegel's Hermeneutics (Gyorgy Markus) |
IX:195 |
|
Rorty, Richard,
Essays on Heidegger
and Others: Philosophical |
|
|
Papers Volume 2 (Paul Redding) |
II:101 |
|
Searle,
John, Mind, Languge
and Society: Philosophy in the Real World |
|
|
(Lloyd Reinhardt) |
X:167 |
|
Smyth, Edmund
J., (ed.), Postmodernism
and Contemporary Fiction |
|
|
(Will Christie) |
II:108 |
|
Sokal, Alan,
and Bricmont, Jean, Intellectual
Impostures (John Roche) |
X:165 |
|
Spate, Virginia,
The Colour of
Time: Claude Monet |
|
|
(Christopher Allen) |
III:130 |
|
Spurr, Barry,
Biographers'
Lives- A Literary-Critical Analysis of the |
|
|
Complete Prose Works of Lytton Strachey (Peter Alexander) |
VII:211 |
|
Steiner,
George, Grammars of
Creation (Geordie
Williamson) |
XI:165 |
|
Stern, J.
P., The Dear Purchase:
A Theme in German Modernism |
|
|
(Michael Nelson) |
VI:132 |
|
Talbot,
Norman, Four Zoas of
Australia (Noel Rowe) |
II:103 |
|
Tester,
Keith, Media, Culture
and Morality (Alan
Olding) |
VI:139 |
|
Todorov,
Tzetan, Genres in Discourse
(Peter Poiana) |
V:148 |
|
Townsend,
Dabney, Hume's Aesthetic
Theory: Taste and Sentiment |
|
|
(Livia Guimares) |
XII:145 |
|
Walsh, Sylvia,
Living Poetically:
Kierkegaard's |
|
|
Existential Aesthetics (William McDonald) |
VII:202 |
|
Warnock,
Mary, Imagination and
Time (Moira Gatens) |
VIII:148 |
|
Wilding,
Michael, Social Visions
(David Brooks) |
IV:121 |
|
-------- Studies in Classic Australian
Fiction (Noel Rowe)` |
VII:209 |
|
Wollheim,
Richard, On Emotion (Lloyd Reinhardt) |
XI:185 |
|
Woodfield,
Richard, (ed.), The
Essential Gombrich: Selected |
|
|
Writings on Art and Culture (William Christie) |
VII:177 |
|
Wu, Duncan,
Romanticism:
An Anthology, |
|
|
and
Romanticism: A Critical Reader (William Christie) |
VI:120 |
|
Xing, Xu,
'Variations Without
a Theme' and Other Stories |
|
|
(Songping Jin) |
IX:203 |
|
Young, Julian,
Nietzsche's philosophy
of art, |
|
|
Winchester, James J., Nietzsche's
Aesthetic Turn
(Paul Redding) |
VII:191 |
|
Zizek, Slavoj,
The Ticklish
Subject: The Absent Centre of |
|
|
Political Ontology (David Brooks) |
X:177 |