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Aesthetic Realism |
Lloyd Reinhardt |
I:28 |
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Aesthetic Self-Regard and Artful Self-Delusions:
Some |
|
|
|
Political Implications of John Barth's Aesthetics |
Chris Conti |
XI:75 |
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Aesthetics and Art Education |
Jacques
Delaruelle |
IV:109 |
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Aesthetics Beyond Aesthetics: |
|
|
|
Towards a New Form of the Discipline |
Wolfgang
Welsch |
VII:7 |
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Aesthetics, Culture and Education |
Maria Shevtsova |
V:130 |
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Aesthetics of a tabula rasa, The: |
|
|
|
Western Art Music's Avant-garde from 1949-1953 |
Richard
Toop |
VI:61 |
|
Aesthetics of Acting in the Restoration,
The |
Robynne
Curnow |
III:7 |
|
Aesthetics of the Marketplace, The:
|
|
|
|
Women Playwrights, 1770-1850 |
Katherine
Newey |
VI:43 |
|
Andrew Lang and the Making of Myth |
Eric J.
Sharpe |
IV:34 |
|
Art and Culture Today |
Francis
Sparshott |
IV:44 |
|
Arts and Scientism: a Comment on 'Wittgenstein |
|
|
|
and Aesthetics', The |
Stephen
Gaukroger |
IV:117 |
|
Australian Multicultural Literature: |
|
|
|
Dynamics and Dilemmas of the Self |
Sonia Mycak |
XII:79 |
|
Authors, 'Deconstruction', and the
Disappearing |
|
|
|
Wordsworth of Marjorie Levinson |
Warwick
Orr |
V:61 |
|
Bach and Numerology: 'dry mathematical
stuff'? |
David Rumsey |
VII:143 |
|
Bach and Numerology: 'valid mathematical
stuff'? |
H. M. Gastineau-Hills |
VII:166 |
|
Barnett Newman: The ÔZipÕ
and Specious Presents, |
|
|
|
or (Specious?) Presence. What Am I Doing
Here? |
Patrick
Hutchings |
XIII:71 |
|
Bearing Witness Fiction: The Suppression
and |
|
|
|
Evolution of Second Generation Israeli |
|
|
|
Holocaust Fiction |
Dvir Abramovich |
XI:99 |
|
Benjamin, Proust, and the Rejuvenating |
|
|
|
Powers of Memory |
Tara Forrest |
XII:47 |
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BrowningÕs Versions:
Robert Browning, |
|
|
|
Greek Tragedy and theVictorian Translation Debate |
Kathleen
Riley |
XIII:51 |
|
Characterisation and Interpretation: |
|
|
|
The Importance of Drama in Plato's Sophist |
Eugenio
Benitez |
VI:27 |
|
Croce and Collingwood on 'Primitive'
and |
|
|
|
'Classical' Aesthetics |
Garry W.
Trompf |
VII:125 |
|
Damozels: Blessed and Earth-Bound |
Kristof
Mikes-Liu |
II:97 |
|
'Do you understand what you are reading?' |
Eric J.Sharpe |
I:3 |
|
Eagleton on Aesthetics and Ideology |
David Brooks |
V:7 |
|
Ethics and Aesthetics in Aristotle's
Poetics |
Paul Crittenden |
I:15 |
|
Ethics and Literary Criticism: Hillis
Miller, Sartre |
|
|
|
and Jauss |
Peter Poiana |
V:46 |
|
Facials: the Aesthetics of Cosmetics
and Makeup |
Michael
Carter |
VIII:97 |
|
Fat, Felt and Fascism: the Case of
Joseph Beuys |
Timothy
O'Leary |
VI:91 |
|
Flowers as 'free beauties of nature' |
Patrick
Hutchings |
IV:17 |
|
From Auster to Wang: Postmodern Indeterminacy, |
|
|
|
'auggie wren's christmas story', and SMOKE |
Gordon Slethaug |
X:127 |
|
Gender: Myths, Methods and Marginalisation |
Heather
Johnson |
III:55 |
|
George Eliot, George Henry Lewes,
and the |
|
|
|
Logic of Signs |
Rosalind
De Sailly |
VII:115 |
|
God Speed the Plough |
Andrew McRae |
VIII:133 |
|
Has the Ontology of Music Rested on
a Mistake? |
Stefano
Predelli |
XII:7 |
|
Hegel and the End of Art |
Gyorgy Markus |
VI:7 |
|
Henry James's Jane Campion: |
|
|
|
Portraits of Connoisseurs |
Catherine
Runcie |
X:7 |
|
Intention and Representation: |
|
|
|
Searle's 'Internal' Thesis |
R. A. Goodrich |
II:53 |
|
Jeremy Bentham's Panopticon as Metaphor: |
|
|
|
Science and Supervision in Tobias Smollett |
|
|
|
and Gilbert White |
Rachel Chalmers |
IV:71 |
|
John Cage Defended against his Appropriators |
Richard
Toop |
III:96 |
|
Linguistic and Personal Meaning of
Metaphorical |
|
|
|
Speech, The |
Gerald P.
Gleeson |
I:60 |
|
Literary Theory and Intellectual Kitsch |
Denis Dutton |
II:23 |
|
Literature, Morality and the Individual
in the |
|
|
|
Shadows of Postmodernism |
Christopher
Cordner |
VIII:60 |
|
Love, Death and the Photographic Image: |
|
|
|
James Ellroy's dark places through Roland Barthes' |
|
|
|
Camera Lucida |
Katrina
Beal |
X:75 |
|
Love Stories: A Reading of Romeo
and Juliet |
Tzachi Zamir |
IX:71 |
|
Mature Love: A Reading of Antony
and Cleopatra |
Tzachi Zamir |
XI:119 |
|
Music and Change: Some Considerations
of the |
|
|
|
Sonata quasi una Fantasia in C sharp minor |
|
|
|
Op.27 no.2 ('Moonlight'). |
Roger Woodward |
XIII:7 |
|
Mozart / Mokitsch |
Richard
Toop |
II:7 |
|
Narrative Identity |
Peter Poiana |
IX:99 |
|
Negative Dialectic in Othello |
Jean-Philippe
Deranty |
IX:53 |
|
'Nineteen Hundred and Now': |
|
|
|
Historicising I. A. Richards |
David Brooks |
XII:107 |
|
Nuancing the Pure: The Marks of Rothko |
Morgan Thomas |
IX:31 |
|
On Aesthetics: A Review and Some Revisions |
Richard
Wollheim |
XI:7 |
|
On Metonymy and Symbol:
Seamus Heaney |
|
|
|
and W.B. Yeats |
Catherine
Runcie |
XIII:7 |
|
On Nelson Goodman's Assimilation of
Literary |
|
|
|
and Scientific Knowledge |
Keith Campbell |
IV:7 |
|
On Nietzsche and Modern Chinese Literature |
|
|
|
from Lu Xun to Gao Xingjian |
Mabel Lee |
XII:23 |
|
On Poetic Function: Jakobson's Revised
'Prague' Thesis |
R. A. Goodrich |
VII:54 |
|
Opening Remarks to the Sydney Society
of Literature |
|
|
|
and Aesthetics First Colloquium |
C. A. Runcie |
I:1 |
|
Paradox of Pain: The Poetry of Paul
Celan and |
|
|
|
So Sakon, The |
Leith Morton |
I:82 |
|
Patrolling the Borders |
Lloyd Reinhardt |
V:123 |
|
Philosophy and Metaphor: The PhilosopherÕs Ambivalence |
Paul Crittenden |
XIII:27 |
|
Physiognomy, Judgment and Art in Mary
Brunton's |
|
|
|
Self-Control |
Jennifer
Evans |
VII:67 |
|
Platonic Theory of Ethos in Fifteenth-Century |
|
|
|
Italian Court Dance, The |
Jennifer
Nevile |
III:42 |
|
Playing with Transgressive Light:
Serrano's |
|
|
|
'Piss Christ' |
Naomi Cumming |
VIII:45 |
|
Plays from Pictures: the Aesthetics
of the |
|
|
|
Nineteenth-Century Stage |
Katherine
Newey |
III:23 |
|
Problems in Edgar Degas, The: Images
of |
|
|
|
Women and Modernity |